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19th Century Oil Painting Portrait Sara Lost

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19th Century Oil Painting Portrait Sara Lost portrait  Georgian lady %%alt5%% %%alt6%%
1 Large English Georgian Early 19th Century Oil Painting Portrait Beautiful Lady Sara Losh (1785-1853 Architect & Designer).
Impress your guests & clients in your home or office with this rather attractive portrait masterpiece.
Title “Portrait Of Lady Sara Losh Architect & Designer” C1815 19th Century.
Subject portrait of beautiful Lady Sara Losh shown in half length front profile view, she is gazing away from the viewer looking towards the left, wearing her traditionalwhite dress with a maroon shawl covering part of her right arm, resting her elbow on a shelf . She has rosy cheeks, fine blue eyes & long shoulder length brunette fashionably coiffed brunette curled hair. She has a cameo brooch tied to her dress sleeve.
Unsigned English school artist.
Circa early 19th century.
Medium oil on canvas.
Set in the original decorative gilt wood frame which enhances this artwork further.
Frame is an majestic display size being 72 cm wide and 86 cm high.
With hanging thread on the back ready for immediate home display.
By repute believed to be Sara or Sarah Losh (1785 – 29 March 1853) she was an English architect and designer. Her biographer describes her as an antiquarian, architect and visionary. She was a landowner of Wreay, Cumberland (now Cumbria), where her prime work, St Mary's Church, can be found. It anticipates the Arts and Crafts Movement and belongs to a group with buildings and monuments which Losh constructed.
Losh's papers were destroyed and none of her journals or drawings survive, but her life is described in Henry Lonsdale's The Worthies of Cumberland, published by Routledge in six volumes in 1867–1875.
She was born at Woodside in Wreay, near Carlisle, at an unknown date probably in late 1785, as she was baptised on 6 January 1786. She was the eldest of four children of John Losh (1756–1814) and his wife Isabella (née Bonner). Her father owned land in Woodside and was a partner with his brother William Losh in an alkali factory at Walker on Tyneside, part of Losh, Wilson and Bell.
One of her brothers died young and another had mental disabilities, so that Sara and her sister Katherine became joint heirs of their father's estate. Neither married and Sara inherited Katherine's share on her death in 1835. Her uncle, James Losh, was a barrister in Newcastle, a prominent member of the city's Literary and Philosophical Society, and friends with the poets William Wordsworth, Samuel Taylor Coleridge and Robert Southey.
Lonsdale calls Losh was well read and educated. She had been to schools in Wreay, London and Bath, and travelled in France, Italy and Germany in 1814 and 1817. She spoke fluent French and Italian and could translate Latin with ease. Lonsdale compared her mind to that of George Eliot. Although she never married, she may have been romantically attached to a schoolfriend, Major Thain, who was killed at the Khyber Pass in 1842. Sara Losh died at Woodside on 29 March 1853 and was buried in the churchyard of Wreay, where she shares a grave with her sister Katherine.
Losh designed, funded and built several projects in and around Wreay from the late 1820s onwards. An example is a replica of Bewcastle Cross as a memorial to her parents, installed in 1835, and a schoolteacher's house at a villa in Pompeii. She also sunk wells and built village schools. By 1840, the old chapel at Wreay was in poor repair. Losh offered to grant the land and pay to replace it, provided she was given a free hand with its design. Permission was given by a faculty in May 1841.
Losh based her design on an early Christian basilica, with an aisle-less rectangular nave ending in a semicircular apse. She termed the style "early Saxon or modified Lombard". The apse has columns between spaces for 13 seats. The altar is a slab of Italian marble on brass eagles. The inside and outside surfaces are decorated with naturalistic stone carvings of fossils, plants and animals, many of them done by William Hindson, son of a local builder. Sara and her cousin William carved the font out of alabaster.
The results were compared by Pevsner to the arts and crafts workmanship of decades later. There are no explicitly Christian symbols, not even a cross, but the profusion of decoration has been seen by some as a celebration of creation.
The church was completed at a cost of £1,200 and dedicated in December 1842. It is now a Grade II listed building. The churchyard has a likewise Grade II listed mausoleum, built by Losh in 1850 in memory of her sister Katherine. Losh also worked on restoring St John the Evangelist's Church, Newton Arlosh.
Provenance Private Collection from the vendor, High end southern auction & Cheshire Antiques Consultant LTD.
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Company Number 15666518
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Price
£5000.00  UK
$6686.00  USA
5895.50  EU
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Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.
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Terms and conditions
For International buyers please contact us before you order as shipping costs are additional please request a shipping quote, also to advise that any import duty taxes due are additional and are payable by the buyer.
For both domestic & International buyers please get in touch for a shipping quote thankyou. Our payment method is by BACS Bank Transfer for UK domestic clients and for International clients payment is preferred by international bank wire transfer. We no longer accept any Online Card or in person card payments due to payment providers charging us and not returning the processing transaction fee even if an order is fraudulent, cancelled or returned. All Item(s) will need to be settled by bank transfer only. We will email you a proforma invoice with our bank details.
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Customs Payment & Brexit
Cheshire Antiques Consultant LTD operates on a Delivery Duty Unpaid (DDU) basis which means that the International buyer is responsible for any import duties, taxes & customs which may be necessary to release an order from international customs.
Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.
If the customer refuses to pay any duty and customs charges and the parcel is returned to sender all shipping charges will be deducted from any refund.
DimensionsDimensions in centimetres of the frame High (86 cm) Width (72 cm) Length depth thickness of frame (5 cm) Category Antique Pictures / Engravings / Art > Antique Oil Paintings Date 1815  Early 19th Century Antiques Material Oil Painting on Canvas Origin English Condition Condition report. Offered in fine used condition. The front painting surface is in acceptable overall order, canvas has been relined also with various foxing staining & craquelure in areas commensurate with usage & old age. Canvas has had various paint touch ups to the background areas. The original frame has had some repairs & been overpainted, having various signs of wear, scuffs, cracking scratches, some losses in places commensurate with usage & old age. Item code as1013a1175 Status For Sale

SellerCheshire Antiques Consultant Ltd

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Cheshire Antiques Consultant LtdPrivate dealer, by appointment only.
71-75 Shelton Street,
Covent Garden,
London, England
WC2H 9JQ.

Tel : 07494 763382

Non UK callers : +44 7494 763382

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