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Radnorshire Fine Arts Ltd
Tel01597 272 439Please quote Antiques Atlas.
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Bluebells by Winifred Knights (1899-1947)


Pencil on paper. Framed and glazed
Provenance: Ex-collection John Sergeant (1937-2010)
Winifred Knights was born on 5 June 1899 in the developing South London suburb of Streatham. From 1912, Knights attended James Allen's Girls' School in Dulwich where she showed an early artistic talent. She pursued formal art training at the Slade School of Fine Art from 1915–17 and again from 1918-20, under the tutelage of Henry Tonks and Fred Brown. During World War One, Knights was traumatised after witnessing the Silvertown explosion at a TNT processing works in January 1917, which led to a break in her studies where she would take refuge at her father's cousins' farm in Worcestershire. At the end of the War, returning to the Slade, Knights began to draw upon personal themes to inspire her work including war and peace, town and country and the social status of men and women. In 1919, Knights painted Leaving the Munitions Works and won the Slade Summer Composition Prize for Mill Hands on Strike. The following year she became the first woman in England to win the prestigious Scholarship in Decorative Painting awarded by the British School at Rome with her critically acclaimed painting The Deluge. In 1920 she became engaged to fellow student Arnold Mason and moved to Italy to complete her scholarship, living at Anticoli Corrado, a small village to the south of Rome. In 1922, the Tate purchased an Italian landscape painted by Knights. She remained in Rome from 1920 to 1925. The relationship with Mason ended and she married fellow Rome Scholar Thomas Monnington on 23 April 1924. Her first major work in Rome, The Marriage at Cana, was completed in 1923. The Tate rejected the painting and it was purchased by the Museum of New Zealand Te Papa Tongarewa. Knights returned to the Slade in the years 1926-27 and exhibited at both the Imperial Gallery in Kensington and the Duveen Gallery. In the period 1928-33 Knights executed the altarpiece Scenes from the Life of St Martin of Tours for the Milner Memorial Chapel at Canterbury Cathedral. In 1929 Knights was elected to the New English Art Club, but never exhibited with them. In 1933 Stephen Courtauld and his wife Virginia bought Eltham Palace. They commissioned Knights and Monnington, who collaborated with the Swedish interior designer Rolf Engströmer and the Italian decorator Peter Malacrida, to work on the decoration of the interiors of the building. Knights died from a brain tumour in London in 1947 at the age of 47. The first major retrospective of Winifred Knights was held at Dulwich Picture Gallery from June to September 2016. PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd

Private dealer
By appointment only
Powys
Mid Wales
Tel : 01597 272 439
Non UK callers : +44 1597 272 439
Provenance: Ex-collection John Sergeant (1937-2010)
Winifred Knights was born on 5 June 1899 in the developing South London suburb of Streatham. From 1912, Knights attended James Allen's Girls' School in Dulwich where she showed an early artistic talent. She pursued formal art training at the Slade School of Fine Art from 1915–17 and again from 1918-20, under the tutelage of Henry Tonks and Fred Brown. During World War One, Knights was traumatised after witnessing the Silvertown explosion at a TNT processing works in January 1917, which led to a break in her studies where she would take refuge at her father's cousins' farm in Worcestershire. At the end of the War, returning to the Slade, Knights began to draw upon personal themes to inspire her work including war and peace, town and country and the social status of men and women. In 1919, Knights painted Leaving the Munitions Works and won the Slade Summer Composition Prize for Mill Hands on Strike. The following year she became the first woman in England to win the prestigious Scholarship in Decorative Painting awarded by the British School at Rome with her critically acclaimed painting The Deluge. In 1920 she became engaged to fellow student Arnold Mason and moved to Italy to complete her scholarship, living at Anticoli Corrado, a small village to the south of Rome. In 1922, the Tate purchased an Italian landscape painted by Knights. She remained in Rome from 1920 to 1925. The relationship with Mason ended and she married fellow Rome Scholar Thomas Monnington on 23 April 1924. Her first major work in Rome, The Marriage at Cana, was completed in 1923. The Tate rejected the painting and it was purchased by the Museum of New Zealand Te Papa Tongarewa. Knights returned to the Slade in the years 1926-27 and exhibited at both the Imperial Gallery in Kensington and the Duveen Gallery. In the period 1928-33 Knights executed the altarpiece Scenes from the Life of St Martin of Tours for the Milner Memorial Chapel at Canterbury Cathedral. In 1929 Knights was elected to the New English Art Club, but never exhibited with them. In 1933 Stephen Courtauld and his wife Virginia bought Eltham Palace. They commissioned Knights and Monnington, who collaborated with the Swedish interior designer Rolf Engströmer and the Italian decorator Peter Malacrida, to work on the decoration of the interiors of the building. Knights died from a brain tumour in London in 1947 at the age of 47. The first major retrospective of Winifred Knights was held at Dulwich Picture Gallery from June to September 2016. PAYMENT OPTIONS
PayPal /Card transactions can be processed through PayPal on our company website. We also accept payment by cheque and bank transfer. Deferred payments can be accepted over an agreed period of time whilst paintings remain with us.
CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
Price The price has been listed in British Pounds.
Conversion rates as of 29/APR/2025. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
DimensionsImage: 7 1/2 in x 6 3/8 in. (19 cm x 16.4 cm.)
Frame: 13 in x 12 in. (33 cm x 30.4 cm.)
Category Antique Pictures / Engravings / Art
> Antique Drawings
Date c1920
1920s Antiques Material Paper
Origin English
Condition Very good
Item code as176a473
Status Sold
£0 
$0.00 
€0.00 

$

€

Conversion rates as of 29/APR/2025. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. SOLD
Shipping information
All our prices include FREE packing and delivery within the UK.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
If you live outside the UK and you wish to purchase a painting, please contact us by phone or e-mail for further details concerning shipping costs.
Terms and conditions
Returns and Complaints
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
Great care and trouble has been taken to ensure that all details written for every picture are correct and the photos are of sufficient quality so that each item can be viewed in detail. If the purchaser can find a fault (by way of a photograph) as proof of damage in transit that is not present in our promotional photo i.e. a tear in the canvas, broken glass, broken frame, damage to surface of picture, then a full or part refund will be offered back to the purchaser depending on the extent of the damage. This will only apply within 24 hours of signing for the parcel.
If the parcel has arrived and appears to be damaged in some way please return the parcel to us (unopened) and we will refund the purchase price on receipt of the picture.
If the purchaser can prove with written evidence from three independent experts that our description was false or misleading in any way then a full refund will be offered back to the purchaser.
Every effort has been made to give our clients complete confidence and satisfaction when buying from our company.
View all stock from
Radnorshire Fine Arts Ltd


By appointment only
Powys
Mid Wales
Tel : 01597 272 439
Non UK callers : +44 1597 272 439
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