Contact Seller
Studio RT Ltd
Tel01622 812556Please quote Antiques Atlas.
Watercolour of girl with blue hat, by Robert Kemp
19th century watercolour by Henry M Pope
19th century painting Llanberis Pass by HM Pope
Children Paddling on the Beach John Atkinson
Antique Watercolour Flowers Rosewood Frame
Robert Tavener Signed Painting of Windsor Castle
Dated Framed Watercolour of a Golfer
Oval Watercolour Portrait Of Eliza Laurie C. 1906
James Hardy jnr Signed, Framed, Glazed Watercolour
Watercolour study of a nude lady Artist M Graham
Grey Partridges Game Birds Sheltering New Forest
Watercolour Highland Moors Ptarmigan Neil Cox
Non UK callers :
+44 1622 812556
Albert Besnard 1849-1934 Watercolour Portrait Girl
We are delighted to bring to the market a beautiful, slightly impressionist oval watercolour portrait of a young girl, possibly in her teens, by the famous French Academician Paul-Albert Besnard, who has signed the painting to the lower right. The artist always signs his painting A. Besnard, with the A & B being joined as a single stroke. There are many examples of his work online, as well as several photographs of the artist himself. The pretty young girl depicted is wearing her dark hair loose around her shoulders and is dressed in a white dress.
Paul-Albert Bresnard was born in Paris on 2nd June 1849, and studied at the Ecole des Beaux Arts, studied with Jean Bremand and was influenced by Alexandre Cabanel.[ He won the Prix de Rome in 1874 with the painting Death of Timophanes.
On 19 November 1879 he married the sculptor Charlotte Dubray (1854–1931). They would have four children, of whom three were artists.
Until about 1880 he followed the academic tradition, but then broke away completely, and devoted himself to the study of colour and light as conceived by the impressionists. The realism of this group never appealed to his bold imagination, but he applied their technical method to ideological and decorative works on a large scale, such as his frescoes at the Sorbonne, the Ecole de Pharmacie, the ceiling of the Comedie-Francaise (main theatre in Paris), the Salle des Sciences at the Hotel de Ville, the mairie of the 1st arrondissement, and the chapel of Berck hospital, for which he painted twelve Stations of the Cross in an entirely modern spirit.
A great virtuoso, he achieved brilliant successes alike in watercolour pastel, oil and etching, both in portraiture, in landscape and in decoration. His close analysis of light can be studied in his picture La femme qui se chauffe at the Luxembourg in Paris, one of a large group of nude studies of which a later example is Une Nymphe au bord de la mer and in the work produced during and after a visit to India in 1911. A large panel, Peace by Arbitration, was completed seven days before the outbreak of war in 1914.
Partly under the influence of Thomas Gainsborough and Joshua Reynolds, whom he studied during a three-years stay in England, he applied his methods to a brilliant series of portraits, especially of women. Notable among these are the Portrait de Théâtre (Madame Rejane), and Mme. Roger Jourdain. The former is a good example of his daring unconventionality. A later work is The King and Queen of Belgium (1919). His landscape work is represented by L'ile heureuse, and Un Ruisseau dans la Montagne (1920). A symbolist in his decorative work, Besnard's frank delight in the external world and his “chic” luminous technique bring him close to the 18th-century French painters.
A foundation member of the Société Nationale des Beaux-Arts in 1890, in 1913 he became a member of the Institute. He succeeded Carolus Duran as director of the Academie francaise in Rome. In 1912, he became a member of the French Academic des Beaux Arts and became director of the École des Beaux Arts in 1922. In 1923 he co-founded the Salon des Tuileries.
He was represented in the official exhibition of French art held in the United States in 1919-20 by a symbolic 1917 portrait of Cardinal Mercier. An important exhibition of his works was shown in different cities of the United States in 1924. He died on the 4th December 1934.
He was a Commander of the Legion of Honour, Member of the Societe Nationale des Beaux-Arts, Member of the Academie Francaise (1924), Honorary Corresponding member of the National Academy of Design (1932), and Member of the Royal Academy of Science, Letters and Fine Arts of Belgium (1907).
His auction results for work created over his long career may be found at the usual sites, with there being 896 in recent years on artprice.com.
The watercolour is double mounted with washlines and is framed in a 1 1/4" gilt frame with beaded inner edge. It will be supplied wired and ready to hang.
Image size: 13 1/4" x 10 1/2" - 33.6cm x 26.65cm
Frame size: 22 1/4" x 19" - 56.5cm x 48.2cm
Medium: Watercolours
Condition: Immaculate. There is no foxing, browning or fading. The mounts are clean and the frame is in virtually new condition.
SellerStudio RT Ltd
View all stock from
Studio RT Ltd
Private Art dealer
By appointment only
Kent
England, UK
Tel : 01622 812556
Non UK callers : +44 1622 812556
Paul-Albert Bresnard was born in Paris on 2nd June 1849, and studied at the Ecole des Beaux Arts, studied with Jean Bremand and was influenced by Alexandre Cabanel.[ He won the Prix de Rome in 1874 with the painting Death of Timophanes.
On 19 November 1879 he married the sculptor Charlotte Dubray (1854–1931). They would have four children, of whom three were artists.
Until about 1880 he followed the academic tradition, but then broke away completely, and devoted himself to the study of colour and light as conceived by the impressionists. The realism of this group never appealed to his bold imagination, but he applied their technical method to ideological and decorative works on a large scale, such as his frescoes at the Sorbonne, the Ecole de Pharmacie, the ceiling of the Comedie-Francaise (main theatre in Paris), the Salle des Sciences at the Hotel de Ville, the mairie of the 1st arrondissement, and the chapel of Berck hospital, for which he painted twelve Stations of the Cross in an entirely modern spirit.
A great virtuoso, he achieved brilliant successes alike in watercolour pastel, oil and etching, both in portraiture, in landscape and in decoration. His close analysis of light can be studied in his picture La femme qui se chauffe at the Luxembourg in Paris, one of a large group of nude studies of which a later example is Une Nymphe au bord de la mer and in the work produced during and after a visit to India in 1911. A large panel, Peace by Arbitration, was completed seven days before the outbreak of war in 1914.
Partly under the influence of Thomas Gainsborough and Joshua Reynolds, whom he studied during a three-years stay in England, he applied his methods to a brilliant series of portraits, especially of women. Notable among these are the Portrait de Théâtre (Madame Rejane), and Mme. Roger Jourdain. The former is a good example of his daring unconventionality. A later work is The King and Queen of Belgium (1919). His landscape work is represented by L'ile heureuse, and Un Ruisseau dans la Montagne (1920). A symbolist in his decorative work, Besnard's frank delight in the external world and his “chic” luminous technique bring him close to the 18th-century French painters.
A foundation member of the Société Nationale des Beaux-Arts in 1890, in 1913 he became a member of the Institute. He succeeded Carolus Duran as director of the Academie francaise in Rome. In 1912, he became a member of the French Academic des Beaux Arts and became director of the École des Beaux Arts in 1922. In 1923 he co-founded the Salon des Tuileries.
He was represented in the official exhibition of French art held in the United States in 1919-20 by a symbolic 1917 portrait of Cardinal Mercier. An important exhibition of his works was shown in different cities of the United States in 1924. He died on the 4th December 1934.
He was a Commander of the Legion of Honour, Member of the Societe Nationale des Beaux-Arts, Member of the Academie Francaise (1924), Honorary Corresponding member of the National Academy of Design (1932), and Member of the Royal Academy of Science, Letters and Fine Arts of Belgium (1907).
His auction results for work created over his long career may be found at the usual sites, with there being 896 in recent years on artprice.com.
The watercolour is double mounted with washlines and is framed in a 1 1/4" gilt frame with beaded inner edge. It will be supplied wired and ready to hang.
Image size: 13 1/4" x 10 1/2" - 33.6cm x 26.65cm
Frame size: 22 1/4" x 19" - 56.5cm x 48.2cm
Medium: Watercolours
Condition: Immaculate. There is no foxing, browning or fading. The mounts are clean and the frame is in virtually new condition.
Price The price has been listed in British Pounds.
Conversion rates as of 5/JUN/2025. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. Sold. Sold price is confidential, so please don't ask.
Category Antique Pictures / Engravings / Art
> Antique Watercolours
Date 1900s
Edwardian Antiques Material Paper
Origin French
Item code as237a1563
Status Sold
£0 
$0.00 
€0.00 
$
€
Conversion rates as of 5/JUN/2025. Euro & Dollar prices will vary and should only be used as a guide.
Always confirm final price with dealer. Sold. Sold price is confidential, so please don't ask.
View all stock from
Studio RT Ltd
Private Art dealerBy appointment only
Kent
England, UK
Tel : 01622 812556
Non UK callers : +44 1622 812556
You may also be interested in
Watercolour of girl with blue hat, by Robert Kemp
19th century watercolour by Henry M Pope
19th century painting Llanberis Pass by HM Pope
Children Paddling on the Beach John Atkinson
Antique Watercolour Flowers Rosewood Frame
Robert Tavener Signed Painting of Windsor Castle
Dated Framed Watercolour of a Golfer
Oval Watercolour Portrait Of Eliza Laurie C. 1906
James Hardy jnr Signed, Framed, Glazed Watercolour
Watercolour study of a nude lady Artist M Graham
Grey Partridges Game Birds Sheltering New Forest
Watercolour Highland Moors Ptarmigan Neil Cox